CUT UP 5M [2020] Pour 2 pianos numériques et électroacoustique - 10'15
5 Mouvements pour 2 pianos [2012] - 24 '
Seven for piano solo and computer [2010] 6'30
Moods for piano solo [2010] Total time 16 '
7 pieces
Mood 1 [Sad] 3'15
Mood 2 [Solitude] 2'
Mood 3 [Happy] 1'50
Mood 4 [Rebel ] 1'10
Mood 5 [Autoroute] 2'
Mood 6 [Inquiétude ] 1'45
Mood 7 [Cool ] 3 '
UWM Sonata for piano solo [2010] 7'30
Quatrain for Piano [2010] Total Time 12 '
1 - Red Night
2 - Nocturne Without B
3 - Breaking Point
4 - Linked
Burning Obsession for piano solo and computer [2009-2010] 18 '
L'0rpheon de Jade [1984/2009] Version for 4 pianos, computer and prepared piano - 10 '
CHAMBER MUSIC - CHAMBER MUSIC - CHAMBER MUSIC
Dominante Six [2012]
For Six Flutes, Two Bassoons and electronic 7'40
Extended Games [2008]
For violoncello and computer [computer music and samples] 11’12
Muziek voor klarinets en computer [2008]
For one clarinet in Eb and pre-recorded audio [computer and drums] Or for 2 clarinets in live
and one keyboard/sampler 12’10
Quatuor N°3 [2003] For string quartet and computer or keyboard and sampler 12’34
Graphismes et couleurs [2002]
For violin, cello, and computer [computer music, midi piano and samples] 12’10
Ground Zero – 9/11 [2001]
For string quartet, computer and video [samples, computer music, voice] 17’03
On air [1999]
For Flute, and computer [sampling flute] 6’30
XXL Measure around G# 3 [1999]
For acoustic Piano and computer - 15’48
“Two” -Computer sonate [1998]
For violin, viola and computer - 21’16
Colorfield in C [1998] For String Quartet, video and keyboard/ sampler - 5’
5 pour violon [1998] For violin solo - 8’31
Quatuor N°2 [1998] For string quartet - 13’35
3+11 [1997]
For computer with samples of ethnics instruments and in live flute, piano, cello - 13’53
Etude pour 2 Saxophones [1997]
for Sax midi (or acoustic sax) in live and pre-recorded audio (computer – virtual sax/physical modeling – rainstick – violin) - 8’16
Autres directions [1996]
For Clarinet in A, computer and piano midi [physical modelling] - 12’02
Blanc
For Solo Clarinet in A [ 1996] - 7’22
Percussions pour piano Midi
For digital piano and sampler [1996] - 7’40
Impromptu double [1996]
For piano and delay - 3’44
Crystal [1995]
For 2 organs and midi gamelan - 8’40
Klavierstuck 1-2-3 [1994] For Piano - 1’10
Le Serpent d’or [1994]
Cello counterpoint for cello in live and pre-recorded audio or 4 cello in live - 11’
L’orphéon de Jade [1985]
For computer and one musician or 2 or 3 or little ensemble [FM synthesis] - 12’
Le Gai savoir [1984]
For One marimba in live or two and pre-recorded audio Or for 4 marimba in live - 7’10
Il était une fois [1982]
For 2 synthesizers and tape - 14’50
Mox [1981] For 4 synthesizers and tape - 10’42
Una [1980]
For one violin, one synthesizer and tape - 12’02
MUSIC FOR ENSEMBLE - MUSIC FOR ENSEMBLE
Le Marteau double [2003]
For ensemble and pre-recorded audio (midi marimba/vibes and midi piano) In Live : Fl – Cl in Bb - Electric Guitar - Piano - and strings (Vln 1 - Vln 2 - Viola – Violoncello - Cb) - 12’
Geometral T [2000]
For ensemble and Keyboard/sampler
Fl - ob - ob in A - Basson - 2 horns in F - keyboard/sampler and strings (Vln 1 - Vln 2 - Viola -
Vc - Cb) - 15’56
L’orpheon de Jade [1985]
Version For Chamber orchestra and computer - 12’
MUSIC FOR SYMPHONY ORCHESTRA
Narvik [1995]
For Orchestra, keyboard/sampler and sax midi [FM synthesis and physical modelling]
20’30
Treblinka [1992 - 2002]
For Orchestra, choir and keyboard sampler - 27’
COMPUTER MUSIC - COMPUTER MUSIC - COMPUTER MUSIC
Tracé de contour [2007] - 10’
Dephasing Silence [2004] With video art -15’20
Computer Blog intime [2005] With poetry and video art - 35’36
Le temps libéré [2005] With video art - 35’32
Baltic Snake [2004] - 15’35
Michigan Texture [1999] Physical modeling - 11’29
Jeu(x) de cloches [1997] - 7’38
Pictures of Ling Fei [1990] - 15’56
Naktis vox [1990] FM synthesis -10’09
Geometria [1989] FM synthesis - 12’38
Luminis [1988] Fm synthesis - 8’19
Les échos du silence [1987] FM synthesis, voice and video - 12’47
La Symphonie des machines [1985] International award Bourges 1986
Aria – Akhitektonika – Souprematika (FM synthesis and samples) - 18’27
Kontrapunkt [1984] FM synthesis and synthi 100 (first work for Alice de l’autre côté du miroir)
14’38
MUSIC FOR DANCE - MUSIC FOR DANCE - MUSIC FOR DANCE
Alice de l'autre côté du miroir (second version) [1986] Computer music – FM synthesis
TAPE MUSIC - TAPE MUSIC - TAPE MUSIC - TAPE MUSIC
Le lion et la licorne [1984] Synthi 100 - 4’30
Violon Blanc [1983} - 2’33
Wagner express [1983]
Conceptual work : reduction compression of " Der Ring des Nibelungen “ - 2’50
Train [1982] Tape music - 4’22
Pulvérisations [1982] Analog system & naturals sounds - 2’37
Par delà le bien et le mal [1982] Analog System - Tape music
8 tracks and mixing console with joysticks - 9’15
CM [1979]
Electronic music – Synthesiser -Repetitive music Structured in centimetres - 10’40
Fréquences [1978] Electronic music -VCO generator - 5’
Série Electro 1-2-3- [1974/75]
Electronic music- Analog system Organ - Experimental music & repetitive. - 17’55
Stylophone 1 [1974]
Experience with graphic/multi-contacts table - 15’08
John's Collage [1973] Tape music and live - 16’30
Gretsch Patterns [1973] For electric guitar and tape - 15’
Experimental Guitar [1973] For electric guitar and tape 60 '